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== List of pieces that use serialism == Organized by composer: * Tadeusz Baird * * ''Cassazione per orchestra'' (1956) * * String Quartet (1957) * * ''Four Essays'' (1958) * * ''Erotyki'' (1961) * Jean Barraqué * * ''… au delà du hasard (premier Commentaire de "Affranchi du hasard" et du "Temps Restitué")'' for four instrumental groups and one vocal group (1958–59) * * ''Chant après Chant'' for six percussionists, voice and piano (1965–66) * * Concerto for six instrumental groups and two solo instruments (vibraphone and clarinet) (1962–68) * * ''Étude'' for 3-track tape (1952–53) * * ''Séquence'' for voice, percussion and chamber ensemble (1950–55) * * Sonata for Piano (1950–52) * * ''Le Temps Restitué'' for soprano, chorus and orchestra (1956–68) * Pierre Boulez * * ''Anthèmes'', for violin solo (1991/94) * * ''Anthèmes II'', for violin and live electronics (1997) * * ''Cummings ist der Dichter'', for chorus and ensemble (1970/1986) * * ''Dérive 1'', for six instruments (1984) * * ''Dérive 2'', for eleven instruments (1988/2002/2006) * * ''Domaines'', for clarinet solo or for clarinet and six instrumental groups (1968) * * ''Études'' (2), musique concrète (1951–52) * * ''"...explosante-fixe..."'' * * * for flute, clarinet, and trumpet (1971–72) * * * for flute, clarinet, trumpet, harp, vibraphone, violin, viola, cello, and electronics (1973–74) * * * version for vibraphone and electronics (1986) * * * for solo MIDI flute, two "shadow" flutes, chamber orchestra, and electronics (1991–93) * * * version for vibraphone and electronics (1986) * * ''Figures-doubles-prismes'', for orchestra (1957–58/1964/1968) * * ''Improvisé—pour le Dr. K'', for flute, clarinet, piano, violin, and cello (1969; revised 2005) * * ''Incises'', for piano (1994/2001) * * ''Livre'', for string quartet (1948); two movements reworked for string orchestra (1968/1989) * * ''Le marteau sans maître'' (1955–57) * * ''Messagesquisse'', for solo cello and six cellos (1976) * * ''Notations'' * * * for piano (1945) * * * for orchestra (1978- ) * * ''Poésie pour pouvoir'', for tape and 3 orchestras (1955/58, withdrawn) * * ''Polyphonie X'' (1950–51) * * Sonata No. 1, for piano (1946) * * Sonata No. 2, for piano (1947–48) * * Sonata No. 3, for piano (1958–63, unfinished) * * ''Pli selon pli'' (1957–62) * * ''Répons'', for six soloists, chamber orchestra, and live electronics (1981–84) * * ''Rituel in Memoriam Bruno Maderna'', for large chamber ensemble in eight groups (1974–75) * * ''Sonatine'', for flute and piano (1946) * * ''Structures, book I'' for two pianos (1952) * * ''Structures, book II'' for two pianos (1961) * * ''Sur incises'', for 3 pianos, 3 harps, and 3 mallet percussion instruments (1996/1998) * John Cage * * ''First Construction (in Metal)'' for percussion ensemble (1939) * Jacques Calonne * * ''Orbes'' for orchestra (1965) 〔Jacques Calonne, "Aspects d'un resume (Apropos d' ''Orbes pour orchestre'')", ''Revue d'Esthetique'' 21 (1968), nos. 2–4 ("Musiques nouvelles"): 59-103.〕 * Benjamin Frankel * * ''The Curse of the Werewolf'' (1961)〔 * Alexander Goehr * * Piano Sonata (1952)〔Gagné (2012), p.116.〕 * * ''The Deluge'' (1958)〔 * Karel Goeyvaerts * * ''Nummer 1'', Sonata for two pianos (1950–51) * * ''Nummer 2'', for thirteen instruments (1951) * * ''Nummer 3 met gestreken en geslagen tonen'', for chamber ensemble (1952) * * ''Nummer 4 met dode tonen'', electronic music (1952) * * ''Nummer 5 met zuivere tonen'', electronic music (1953) * * ''Nummer 6 met 180 klankvoorwerpen'' (1954) * * ''Nummer 7 met convergerende en divergerende niveaus'', electronic music (1955) * Ernest Gold * * ''On the Beach'' (1959)〔Nicole V. Gagné, ''Historical Dictionary of Modern and Contemporary Classical Music'', Historical Dictionaries of Literature and the Arts (Lanham, MD: Scarecrow Press, 2012): 98. ISBN 978-0-8108-6765-9.〕 * Jerry Goldsmith * * ''Freud'' (1962)〔 * * Music for Orchestra (1969) * * ''Christus Apollo'' (1970) * Wojciech Kilar * * ''Riff 62'' (1962) * Gottfried Michael Koenig * * ''Zwei Klavierstücke'', for piano solo (1957) * * Quintet for Woodwinds, for flute, oboe, cor anglais, clarinet, and bassoon (1958–59) * * String Quartet 1959 (1959) * Witold_Lutosławski * * Symphony No. 1 (1947) * * ''Five Songs to Words by Kazimiera Iłłakowiczówna'' for soprano and piano (1957); Arrangement with Orchestra (1958) * * ''Musique_funèbre'' (1958) * * ''Trois poèmes d'Henri Michaux'' (1963) * * ''Livre pour orchestre'' (1968) * * Cello Concerto (1970) * * ''Mi-parti'' (1976) * * ''Grave: Metamorphoses for Cello and Piano'' (1981) * * Symphony No. 3 (1983) * Johnny Mandel * * ''Point Blank'' (1967)〔 * Luigi Nono * * ''Canti per tredeci'', 13 instruments, (1954–55) * * ''Il canto sospeso'' (1955–56) * * ''Cori di Didone'', for chorus and percussion (1958) * * ''Diario polacco: Composizione no. 2'' (1958–59) * * ''Due espressioni'', for orchestra (1953) * * ''Incontri'', for 24 instruments (1955) * * ''Polifonica—monodia—ritmica'', for seven instrumentalists (1951) * * ''Varianti'', for violin, woodwinds, and strings (1957) * Krzysztof Penderecki * * ''St_Luke_Passion_(Penderecki)'' (1966) * Henri Pousseur * * ''Apostrophe et six Réflexions'' for piano (1964–66) * * ''Aquarius-Mémorial (in memoriam Karel Goeyvaerts)'' * * * I. ''Les Litanies d'Icare'' for piano (1994) * * * II. ''Danseurs Gnidiens cherchant la Perle clémentine'' for chamber orchestra (1998) * * * III. ''Les Fouilles de Jéruzona'' for orchestra (1995) * * * IV. ''Icare au Jardin du Verseau'' for piano and chamber orchestra (1999) * * * ''La Guirlande de Pierre'' for soprano, baritone and piano (1997) * * ''At Moonlight, Dowland's Shadow passes along Ginkaku-Ji'' for shakuhachi, shamisen, and koto (1989) * * ''Ballade berlinoise'' for piano solo (1977) * * ''Canines'' for voice and piano (1980) * * ''Caractères'' for piano (1961) * * ''Chroniques berlinoises'' for piano and string quartet with baritone ''ad lib.'' (1975) * * ''Chroniques canines'' for two pianos with soprano ''ad lib'' (1984) * * ''Chroniques illustrées'' for large orchestra with baritone ''ad lib.'' (1976) * * ''Couleurs croisées'' for large orchestra (1967) * * ''Crosses of Crossed Colors'' for vocal soloist, two to five pianos, six tape-recorder operators, two turntablists, and two radio operators (1970) * * ''Déclarations d'Orage'' for reciter, soprano, baritone, three improvising instruments (alto saxophone, tuba, synthesizer), large orchestra and tape (1988–89) * * ''Dichterliebesreigentraum'' for soprano, baritone, two solo pianos, choir and orchestra (1992–93) * * ''Les Éphémérides d'Icare 2'' for a soloist, three-part concertino, and four instrumental quartets (1970) * * ''Die Erprobung des Petrus Hebraïcus'' chamber opera in three acts, libretto by Léo Wintgens after Michel Butor (1974). Several "satellite" works are related to this opera: * * ''Flexions IV'' for viola solo (1980) * * ''Humeurs du Futur quotidien'' for two reciters and chamber orchestra (1978) * * ''Les Icare africains'' for solo voices, ''ad lib.'' choir, and orchestra (2002) * * ''Leçons d'Enfer'' music theatre for 2 actors, 3 singers, 7 instruments, tape, and live electronics; texts by Arthur Rimbaud and Michel Butor (1990–91) * * ''Madrigal I'' for clarinet (1958) * * ''Madrigal II'' for 4 early instruments (flute, violin, viola da gamba, harpsichord) (1961) * * ''Madrigal III'' for clarinet, violin, cello, 2 percussionists, and piano (1962) * * ''Mnémosyne'' monody solo voice or instrument, or unison choir (1968) * * ''Mnémosyne II'' for variable media (1969) * * ''Mobile'' for two pianos (1957–58) * * ''Navigations'' for harp (2000) * * ''Ode'' for string quartet (1960–61) * * ''La Paganania'' for solo violin (1982) * * ''La Paganania seconda'' for solo cello (1982) * * ''Paraboles-Mix'' electronic music (1972) * * ''Pédigrée'' for female voice and seven instruments (1980) * * ''Phonèmes pour Cathy'' for mezzo-soprano solo (1966) * * ''Prospection'' for three pianos tuned in sixths of a tone (1952–53) * * ''Quintette à la memoire d'Anton Webern'' for clarinet, bass clarinet, violin, cello, and piano (1955) * * ''Rimes pour différentes sources sonores'' for orchestra and tape (1958) * * ''Scambi'' electronic music (1957) * * ''Séismogrammes'' electronic music (1954) * * ''Seize Paysages planétaires'' ethno-electroacoustical music (2000) * * ''Sept Versets des Psaumes de la Pénitence'' for four vocal soloists or mixed choir (1950) * * ''Symphonies à 15 Solistes'' (1954–55) * * ''Tales and Songs from the Bible of Hell'' four singers with real-time electronic transformation and pre-recorded 4 track tape (1979) * * ''Trois Visages à Liège'' electronic music (1961) * * ''Votre Faust'' (1960–68), opera for five actors, four singers, twelve instruments, and electronic music, libretto by Michel Butor. Plus related "satellite" works: * * * ''Miroir de Votre Faust'' (''Caractères II'') for solo piano and (optional) soprano (1964–65), * * * ''Jeu de Miroirs de Votre Faust'' for piano, soprano and tape (1964–65) * * * ''Echos de Votre Faust'' for mezzo-soprano, flute, cello, and piano (1961–69), * * * ''Les Ruines de Jéruzona'' for mixed choir and "rhythm section" (1978), * * * ''La Passion selon Guignol'' for amplified vocal quartet and orchestra (1981), * * * ''Parade de Votre Faust'' for orchestra (1974) * * * ''Aiguillages au carrefour des immortels'' for 16 or 17 instruments (2002) * * * ''Il sogno di Leporello: Parade 2 (de Votre Faust)'' for orchestra (2005) * * ''Vue sur les Jardins interdits'' for saxophone quartet (1973) * Miklós Rózsa * * ''King of Kings'' (1961)〔 * David Shire * * ''The Taking of Pelham One Two Three'' (1974)〔 * Karlheinz Stockhausen * * ''Adieu'', for wind quintet (flute, oboe, clarinet, bassoon, and horn), Nr. 21 (1966) * * ''Alphabet für Liège'', Nr. 36 (1972) * * * ''Am Himmel wandre ich'' ("In the Sky I Am Walking", American Indian Songs), Nr. 36½ (1972) * * ''Amour'', 5 pieces for clarinet, flute, or saxophone Nr. 44 (1976) * * ''Atmen gibt das Leben'', choral opera with orchestra (or orchestra on tape), Nr. 39 (1974/76–77) * * ''Aus den sieben Tagen'' ("From the Seven Days"), 15 texts for intuitive music (performable separately), Nr. 26 (1968) * * ''Bassetsu-Trio'', for basset horn, trumpet, and trombone, Nr. 3. ex 70 (1997). Arranged from ''Mittwoch aus Licht'', scene 4: ''Michaelion'' * * ''Carré'', for 4 orchestras and choirs, Nr. 10 (1959–60) * * ''Dr K–Sextett'', for flute, bass clarinet, percussionist (tubular chimes and vibraphone), piano, viola, and cello, Nr. 28 (1968–69) * * ''Etude'', musique concrète, Nr. 1/5 (1952) * * ''Europa-Gruss'', Nr. 72 (1992/2002) * * ''Expo'', for 3 players or singers with 3 short-wave receivers, Nr. 31 (1969–70) * * ''Formel'', for small orchestra, Nr. 1/6 (1951) * * ''Fresco'', for 4 orchestral groups, Nr. 29 (1969) * * ''Für kommende Zeiten'', 17 texts for intuitive music, Nr. 33 (1968–70) * * ''Gesang der Jünglinge'', electronic and concrete music, Nr. 8 (1955–56) * * ''Gruppen'', for 3 orchestras, Nr. 6 (1955–57) * * ''Harlekin'', for clarinet, Nr. 42 (1975) * * * ''Der kleine Harlekin'', for clarinet, Nr. 42½ (1975) * * ''Helikopter-Streichquartett'', for string quartet and 4 helicopters, Nr. 69 (1992–93) (3 of ''Mittwoch aus Licht'' ) * * ''Herbstmusik'', musical theatre for 4 performers, Nr. 40 (1974) * * * ''Laub und Regen'', duet for clarinet and viola, Nr. 40½ * * ''Hymnen'', 4-channel electronic and concrete music (also version with soloists, and Third Region with orchestra), Nr. 22 (1966–67) * * ''In Freundschaft'', for clarinet (and versions for most other instruments), Nr. 46 (1977) * * ''Inori'', adorations for 1 or 2 soloists and large orchestra, Nr. 38 (1973–74) * * * ''Vortrag über HU'', for a singer, Nr. 38½ (1974) * * ''Jubiläum'', for orchestra, Nr. 45 (1977) * * ''Klang'' ("Sound", the 24 Hours of the Day), Nr. 81– (2004–2007) * * * First Hour: ''Himmelfahrt'' (Ascension), for organ (or synthesizer), soprano, and tenor, Nr. 81 (2004–05) * * * Second Hour: ''Freude'' (Joy), for 2 harps, Nr. 82 (2005) * * * Third Hour: ''Natürliche Dauern 1–24'' (Natural Durations 1–24), for piano, Nr. 83 (2005–06) * * * Fourth Hour: ''Himmels-Tur'' (Heaven's Door), for a percussionist and a little girl, Nr. 84 (2005) * * * Fifth Hour: ''Harmonien'' (Harmonies), Nr. 85, versions for: * * * * bass clarinet, Nr. 85.1 (2006) * * * * flute, Nr. 85.2 (2006) * * * * trumpet, Nr. 85.3 (2006) * * * Sixth Hour: ''Schönheit'' (Beauty), for flute, bass clarinet, and trumpet, Nr. 86 (2006) * * * Seventh Hour: ''Balance'', for flute, English horn, and bass clarinet, Nr. 87 (2007) * * * Eighth Hour: ''Glück'' (Bliss), for oboe, English horn, and bassoon, Nr. 88 (2007) * * * Ninth Hour: ''Hoffnung'' (Hope), for violin, viola, and cello, Nr. 89 (2007) * * * Tenth Hour: ''Glanz'' (Brilliance), for oboe, clarinet, bassoon, trumpet, trombone, tuba, and viola, Nr. 90 (2007) * * * Eleventh Hour: ''Treue'' (Fidelity), for E-flat clarinet, basset horn, and bass clarinet, Nr. 91 (2007) * * * Twelfth Hour: ''Erwachen'' (Awakening), for soprano saxophone, trumpet, and cello, Nr. 92 (2007) * * * Thirteenth Hour: ''Cosmic Pulses'', electronic music, Nr. 93 (2006–07) * * * Fourteenth Hour: ''Havona'', for bass voice and electronic music, Nr. 94 (2007) * * * Fifteenth Hour: ''Orvonton'', for baritone and electronic music, Nr. 95 (2007) * * * Sixteenth Hour: ''Uversa'', for basset-horn and electronic music, Nr. 96 (2007) * * * Seventeenth Hour: ''Nebadon'', for horn and electronic music, Nr. 97 (2007) * * * Eighteenth Hour: ''Jerusem'', for tenor and electronic music, Nr. 98 (2007) * * * Nineteenth Hour: ''Urantia'', for soprano and electronic music, Nr. 99 (2007) * * * Twentieth Hour: ''Edentia'', for soprano saxophone and electronic music, Nr. 100 (2007) * * * Twenty-first Hour: ''Paradies'' (Paradise), for flute and electronic music, Nr. 101 (2007) * * ''Klavierstücke'' * * * ''Klavierstücke I–IV'', Nr. 2 (1952) * * * ''Klavierstücke V–X'', Nr. 4 (1954–55/61) * * * ''Klavierstück XI'', Nr. 7 (1956) * * * ''Klavierstück XII'', ex Nr. 49¾ (1979/83) * * * ''Klavierstück XIII'', Nr. 51½ (1981) * * * ''Klavierstück XIV'', ex Nr. 57⅔ (1984) * * * ''Synthi-Fou (Klavierstück XV)'', ex Nr. 61⅔ * * * ''Klavierstück XVI'', Nr. 63½ (1995) * * * ''Klavierstück XVII'', 7½ ex Nr. 64 (1994/99) * * * ''Klavierstück XVIII'', Nr. 73⅔ (2004) * * * ''Klavierstück XIX'', Nr. 80 (2001/2003) * * ''Kontakte'' ("Contacts"), for electronic sounds, Nr. 12 (1958–60) * * * ''Kontakte'', for electronic sounds, piano, and percussion, Nr. 12½ (1958–60) * * * ''Originale'', musical theatre with ''Kontakte'', Nr. 12⅔ (1961) * * ''Kontra-Punkte'' ("Counter-Points"), for 10 instruments, Nr. 1 (1952–53) * * ''Kreuzspiel'', for oboe, bass clarinet, piano, and 3 percussionists, Nr. 1/7 (1951) * * ''Kurzwellen'', for 6 players with live electronics, plus sound director, Nr. 25 (1968) * * ''Licht'', Nr. 47–80 (1977–2003) * * ''Licht-Ruf'', Nr. 67 (1995) * * ''Litanei 97'', Nr. 74 (1997) * * ''Mantra'', for 2 pianists (with wood blocks and antique cymbals) and electronics, Nr. 32 (1970) * * ''Mikrophonie I'', for tamtam (2 players), 2 microphones, 2 filters with potentiometers, and 4 pair of loudspeakers, Nr. 15 (1964) * * ''Mikrophonie II'', for 12 voices, Hammond organ (or synthesizer), 4 ring modulators, and tape, Nr. 17 (1965) * * ''Mixtur'', for orchestra, 4 sinewave generators, and 4 ring-modulators, Nr. 16 (1964) * * ''Musik im Bauch'', for 6 percussionists and music boxes, Nr. 41 (1975) * * ''Momente'', for soprano solo, 4 choirs, and 13 instrumentalists, Nr. 13 (1962–64/69) * * ''Oktophonie'' (1990/91) electronic music of ''Tuesday from Light'' * * ''Plus-Minus'', 2 x 7 pages for realization, Nr. 14 (1963) * * ''Pole'', for 2 players or singers with 2 short-wave radios, Nr. 30 (1969–70) * * ''Prozession'', for 6 players with live electronics, Nr. 23 (1967) * * ''Punkte'' ("Points"), for orchestra, Nr. ½ (1952/62/66/93) * * ''Quitt'' ("Even"), for alto flute, clarinet, and trumpet, Nr. 1 ex 59 (1989) * * ''Refrain'', for piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and celesta (+ 3 antique cymbals), Nr. 11 (1959) * * "Rotary'' Wind Quintet, for flute, oboe, clarinet, bassoon, and horn, Nr. 70½ (1997) * * ''Schlagtrio'' ("Percussive Trio") (''Schlagquartett'' ), for piano and 2 x 3 (3 x 2 ) timpani, Nr. ⅓ (1952) * * ''Sirius'', electronic music with trumpet, soprano, bass clarinet, and bass voice, Nr. 43 (1975–77) * * ''Solo'', for a melody instrument and feedback (live electronics with 4 technicians, 4 pair of loudspeakers), Nr. 19 (1965–66) * * ''Spiel'' ("Play"), for orchestra, Nr. ¼ (1952) * * ''Spiral'', for a soloist with short-wave receiver and live electronics with sound director, Nr. 27 (1968) * * ''Sternklang'' ("Star Sound"), park music for five groups, Nr. 34 (1971) * * ''Stimmung'' ("Tuning"), for 6 vocalists, Nr. 24 (1968) * * ''Stop'', for small orchestra in 6 groups, Nr. 18 (1965) * * ''Strahlen'' ("Rays"), for a percussionist and ten-channel sound recording, Nr. 80½ (2002) * * ''Studie I'', electronic music, Nr. 3/I (1953) * * ''Studie II'', electronic music, Nr. 3/II (1954) * * ''Sukat'', for alto flute and basset-horn, Nr. 2 ex 60 (1989) * * ''Telemusik'', electronic and concrete music, Nr. 20 (1966) * * ''Thinki'', for flute, Nr. 1 ex 70 (1997) * * ''Tierkreis'' ("Zodiac"), 12 melodies of the star signs, for a melody and/or chording instrument, Nr. 41½ (1974–75) * * ''Trans'', for orchestra and tape, Nr. 35 (1971) * * ''Traum-Formel'' ("Dream Formula"), for basset-horn, Nr. 51⅔ (1981) * * ''Trumpetent'' (aka "Trompetent"), for 4 trumpeters, Nr. 73 (1995) * * ''Türin'', for ''Tür'' (door), rin, and speaker (versions in German and English), with electronics (2006) * * ''Unsichtbare Chöre'', 16-channel recording of a cappella choir, for 8-channel playback, ex Nr. 79 (1979) * * ''Vibra-Elufa'', for vibraphone, Nr. 9¾ ex 64 (2003) * * ''Xi'', for a melody instrument with microtones, Nr. 1 ex 55 (1986) * * ''Ylem'', for 19 players, Nr. 37 (1972) * * ''Ypsilon'', for a melody instrument with microtones, Nr. 2 ex 59 (1989) * * ''Zeitmaße'' ("Time Measures"), for oboe, flute, cor anglais, clarinet, and bassoon, Nr. 5 (1955–56) * * ''Zyklus'' ("Cycle"), for a percussionist, Nr. 9 (1959) * Gilles Tremblay * * ''Cantique de durées'' (1960)〔Gilles Tremblay, "Note pour Cantique de durées", ''Revue d'esthetique'' 21 (1968), nos. 2–4 ("Musiques nouvelles"): 51–58.〕 * Egon Wellesz * * Symphony No. 5, Op. 75 (1955–56) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「List of dodecaphonic and serial compositions」の詳細全文を読む スポンサード リンク
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